By Peter Grose
The untold tale of an remoted French neighborhood that banded jointly to provide sanctuary and shield to over 3,500 Jews within the throes of worldwide struggle II
Nobody requested questions, not anyone demanded cash. Villagers lied, lined up, procrastinated and hid, yet most significantly they welcomed.
This is the tale of an remoted group within the top reaches of the Loire Valley that conspired to save lots of the lives of 3,500 Jews below the noses of the Germans and the warriors of Vichy France. it's the tale of a pacifist Protestant pastor who broke legislation and defied orders to guard the lives of overall strangers. it's the tale of an eighteen-year-old Jewish boy from great who solid 5,000 units of fake identification papers to save lots of different Jews and French Resistance warring parties from the Nazi focus camps. And it's the tale of a group of excellent women and men who provided sanctuary, kindness, team spirit and hospitality to humans in determined want, realizing complete good the implications to themselves.
Powerful and richly informed, a superb position to conceal speaks to the goodness and braveness of standard humans in amazing conditions. eight pages of B&W illustrations
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Additional info for A Good Place to Hide: How One French Community Saved Thousands of Lives in World War II
Above all, testimonial poetry was a day-to-day chronicle of the unfolding cataclysm. Rooted in Jewish literary tradition, some of the poetry-even that which was written in Polish-takes its analogue, form, and lexicon from such antecedents as elegaic liturgy, the iconography of pogroms, and the general Jewish literature of destruction. Nonetheless, many of the documentary as well as other poems show unmistakable modernistic influences. Not all the poetry, however, is marked by the same literary quality.
Although Szlengel probably had more than a passing familiarity with the Yiddish folk idiom, he is first and foremost grounded in the Polish literary tradition. His early ghetto poetry shares with the Skamander movement, popular in the first decade of the interwar period, a predilection for colloquial idioms, a lighthearted poetic voice, as well as satiric and ironic modes. " These writers divined from historical events not only the crisis of the individual and Western civilization but that of the entire world.
To remember the idealized past was to strain toward the future, toward the lifesustaining belief in the return of the prewar world. Hence, the evocative power of such simple, bittersweet poems as Szlengel's "Telephone" often had a cathartic and redemptive effect on the poet and reader alike. Discussing Hiroshima and Holocaust survivors, Robert Lifton observes that the loving ruminations on painful details of their "death immersions" is an attempt on the part of survivors to break out of their psychic numbing.