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Art Journey Portraits and Figures: The Best of Contemporary

Fact. good looks. event. Emotion.

The artists integrated in Art trip: images and Figures say they've got came across all of these items and extra via their paintings. occasionally it's within the eyes. or even it's the trace of an expression that turns out to beckon one nearer, begging to percentage a mystery. might be it's the lean of a chin. Or the posture or stance of one's topic. yet in a good achieved portrait or determine? whatever distinct, whatever specified that's at all times revealed--oftentimes approximately either the topic and the artist.

Covering a tantalizing diversity of kinds, the works inside of illustrate the various methods today's most sensible artists choreograph form, price, line texture and colour into compositions that create drama, inform a narrative and pull the viewer in. that includes strange views, engaging contrasts and different dynamic layout components, Art trip: graphics and Figures provides clean concept for artists of each ability point and medium.

• paintings and proposal from 109 modern artists operating in charcoal, pencil, pastel, coloured pencil, scratchboard, pen and ink, and more
• 107 masterful works--the most sensible in portraiture and determine work--demonstrating an excellent variety of styles
• specialist assistance and recommendation and insights into the tales at the back of art

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Read or Download Art Journey Portraits and Figures: The Best of Contemporary Drawing in Graphite, Pastel and Colored Pencil PDF

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Extra resources for Art Journey Portraits and Figures: The Best of Contemporary Drawing in Graphite, Pastel and Colored Pencil

Sample text

The artist’s way of seeing: A twofold process Drawing is not really very difficult. Seeing is the problem, or, to be more specific, shifting to a particular way of seeing. You may not believe me at this moment. You may feel that you are seeing things just fine and that it’s the drawing that is hard. But the oppo­ site is true, and the exercises in this book are designed to help you make the mental shift and gain a twofold advantage. First, to open access by conscious volition to the visual, perceptual mode of think­ ing in order to experience a focus in your awareness, and second, to see things in a different way.

That in all of these sudden illumi­ nations my ideas took shape in a primarily visual-spatial form with­ out, so far as I can introspect, any verbal intervention is in accor­ dance with what has always been my preferred mode of thinking. . ” — Roger N . ” — Kimon Nicolaides The Natural Way to Draw, 1941 3 Gertrude Stein asked the French artist Henri Matisse whether, when eating a tomato, he looked at it the way an artist would. Matisse replied: “No, when I eat a tomato I look at it the way anyone else would.

By gaining access to the part of your mind that works in a style conducive to creative, intuitive thought, you will learn a fundamental skill of the visual arts: how to put down on paper what you see in front of your eyes. Second, through learning to draw by the method presented in this book, you will enhance your ability to think more creatively in other areas of your life. How far you go with these skills after you complete the course will depend on other traits such as energy and curiosity. But first things first!

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