By Paul Wells
The pondering procedure at the back of drawing, characters, composition and circulate, narrative and edition are all totally tested within the newest identify Drawing for Animation. the writer introduces the basic components desirous about generating drawn animation.
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Extra info for Basics Animation 03: Drawing for Animation
Such work allows and encourages inspiration and the development of a personal style. It will be no surprise that this is essentially at the heart of sketchbook work, and experimental drawing is an extremely beneficial way of expressing and investigating fantasies, anxieties, preoccupations, influences, jokes and emotion. Experimental drawing is all about not being fixed, nor subject to the rigours of success or failure. It is about the process of trial and error; things emerging from the unplanned, unexpected ideas and concepts forming out of doodling, sketching and placing images in juxtaposition.
The drawing is being formed and transformed, translating ideas into marks of interpretation and personal expression. Experimental drawing is all about not being fixed, nor subject to the rigours of success or failure. It is about the process of trial and error; things emerging from the unplanned, unexpected ideas and concepts forming out of doodling, sketching and placing images in juxtaposition. Ultimately, such drawing is pure opportunity, unfettered by specific needs or goals, and yet may provide the template for all sorts of problem-solving approaches.
Then I do number 5 by tracing over 1, but swapping the legs and arms round so the left leg and right arm lead the way. ▶ Then I do number 3, which is an in-between of 1 and 5. I always put the first drawings in the sequence underneath, so number 5 is over number 1. Although this drawing is an in-between, the leg that is in contact with the ground is straight so the body needs to lift higher up. 7 8 ▶ Then I put the drawings in order and put 1 and 3 on the light box and draw the inbetween, which will be number 2.